Dijak opens up on 'catastrophic' RETRIBUTION debut

Dijak announced on Twitter yesterday that he is set to depart the company tonight, after WWE opted not to re-sign him ahead of his contract expiration.
Dijak’s run on the WWE main roster came as ‘T-BAR’ in RETRIBUTION, a stable which has now gone down as one of the most infamous stables in wrestling history.
Speaking to Sean Ross Sapp of Fightful, Dijak opened up on the debut of the faction, and his run in NXT prior to his call up.

He said:
“The whole feel of it was, ‘we don’t know.’ I know they didn’t know because I was there speaking to him about it. It’s 2020, we’re coming off Portland TakeOver, me and Keith are coming off this great feud. I don’t have a solid sense of what the booking…nobody in WWE has a super solid sense of the booking or the trajectory, especially talent. Maybe those in charge do, but talent, even the top guys, they might have a general idea, but nothing is set in stone. It seems like we’re building to a triple threat at (the next) TakeOver. I have all this new gear that no one has seen. It’s modeled after the Emperor from ‘Gladiator,’ it’s this white suit of armor for entrance gear. It’s beautiful and cost me a fortune because I never used it.
“TakeOver got canceled and shifted to USA Network, which was a catastrophe. COVID hits, disrupts everything. I start getting a feel, people started talking to me more, that I was in the past as opposed to the future. I was like, ‘I wonder if the plan was to do something at TakeOver and then that got shifted.’ Usually, guys got called up at the Raw after WrestleMania. I thought maybe something was happening around then but the timeline was shifted around. All of Raw is at the PC, there is no crowd, it’s odd.
“I get notified a little before I wrestled Johnny Gargano, I was the first guy he wrestled as a heel in that run. I had essentially turned babyface. I got notified, at some point in that window, that I was being called up to Raw. ‘Great, this is wonderful.’ It never really happened. This was such a period of confusion in WWE.

“Whenever I get called up, it’s a f**king catastrophe for some reason [laughs]. I got called back to NXT, even though I got called (up) and showed up to Raw. It was weird because we were already showing up to Raw because we became the crowd. There was a weird mixed message. Heyman was writing the show. He got fired, Bruce came in. I didn’t know who to go to. I was told I got called up, but no one was approaching me with anything. I’m not even in the locker room. I don’t know what’s going on.
“Finally, I get a call, ‘Hey, we’re going to bring you back to do a couple of matches and face Kross, who they’re building up to face Keith. We’re going to introduce you with the Keith storyline. Keith is going to win the Championship.’ That was my first time back was when Keith won the championship, I gave him a hug, we ran the program with Kross and he killed me off.”
“Now, I’m back on Raw, in some capacity, sort of. At least, I’m going to Raw. We’re physically there because we’re in these tents outside and then we go in, we sit there, Kevin Dunn is yelling at everyone in the ring. It’s a silly mess. Through no fault of WWE’s. They’re trying to survive COVID. I don’t think they did a horrific job at that. They maintained a product when most things stopped.

“Finally, I don’t know what my status is, I go straight to Vince. First impression with Vince is horrible. During the pandemic, they did a makeshift model of the current arena. That area is where we were running TV, but production was in the other building that was adjacent to it. I think they were renting at the time, but now they own it. At the time, it wasn’t a training facility, it was a big empty warehouse they were renting with separate rooms. Vince’s office was five rooms down. You have to reach these levels of the warehouse to get to him.
“You’d go through the SmackDown set, then a production meeting, it was like going to boss to boss to boss. The security guard is standing at one door. ‘Is Vince in there?’ ‘Yes.’ ‘Can I talk to him?’ ‘Yeah.’ I’m opening these doors and I don’t know what’s on the other side. Maybe it’s Vince sitting at a desk. I open it and it’s a production meeting and a bunch of writers. They all stop and look at me. Vince is talking to Jason Jordan. I’m standing in the doorway. ‘Ah, f**k.’ I’m clearly interrupting something and I didn’t know. I’m standing and waiting for them to finish. They talked for what felt like a half hour, but it was probably eight minutes. I’m just standing there awkwardly forever.
“He looks at me, smiles, and waves, I walk over and introduce myself. ‘Nice to meet you. I’m Dominik Dijakovic from NXT. I just got called up. I wanted to know if there is anything you’re looking for specifically.’ ‘Have you talked to Bruce Prichard?’ ‘Yeah, I’ve talked to Bruce.’ ‘He does the creative stuff.’ From that moment, I was like, ‘I’m f**ked.’ He doesn’t know who I am. If you were on NXT, there was a pretty clear idea if Vince knew who you were, and that determined how your main roster run would go. ‘Okay, I’m f**ked.’

“Through the grapevine, I heard he was not happy with that at all. He didn’t like that I came to him and approached him. I was wearing casual stuff, a tank top. I guess he wanted me in a suit or a collared shirt. Then he had a talk with me a month later. Hilarious talk, in hindsight, about professionalism [laughs].
“Retribution debuts. It’s a catastrophe. It’s a bunch of writers or extra or small little people throwing things. I viewed it as an opportunity. ‘I can fix this. I can make Retribution a fucking awesome thing.’ I go to Vince. I filmed my own pitch where I had my own mask that kind of looks like the T-BAR mask, but not really. It was meant to be an entrance mask.
“I film a pitch where I’m talking (with the mask on). I take the mask off, I cut this promo, it’s all dark. I take this video, it’s now my second time meeting Vince, it’s a month later. I take it to show it to him. ‘This is what I think Retribution could be.’ I had a list of names. Nikki Cross, Damo [Killian Dain], Mason [Mace], Shane Thorne, Tommaso Ciampa. I listed seven or eight people who I thought would fit ‘We’re angry with the company and want to take them out revolution group.’

“He watched the video and had no feedback for any of that, but he gave me a five-minute talk on professionalism and talking to people who own companies. ‘You need to be more professional. You need to present yourself better. Not me. I’m one of the boys.’ Clearly, you’re referring to you.
“That’s just how Vince operated. He operated in this weird bubble and had a view of himself that was no what he projected. I present it. ‘That’s f**ked. He doesn’t care.’ Two weeks later, it starts to happen. Mason shows up in the group as a hooded character. Another person I pitched shows up as a hooded character. I show up as a hooded character. ‘He kind of maybe listened, or someone listened.’ I sent it to Bruce and the Raw team. It kind of starts to happen and I’m like, ‘Oh s**t, this is awesome. We’re all getting called up.’
“At this point, there is kind of a focus on Retribution. It’s integrated in the whole program. I know people weren’t watching or hated watching during the pandemic, and had good reason to do so. At that point, it’s a focal point of Raw. The more we do it, the more steam it gets….it originally started and everyone looked like a child screaming and throwing a temper tantrum. The more actual pro wrestlers did it, me and Mace are big and imposing, Shane looks good, everyone is hitting each other hard. The segments are going well. We beat up Dominik Mysterio, Keith, Drew, Braun. We’re on Raw and SmackDown.

“Suddenly, it falls off a cliff. ‘You guys can’t be on SmackDown anymore.’ I don’t think anyone told us, but we heard that it was because Fox didn’t like it. It was before we officially debuted. ‘We’re screwed. They can trash the whole thing. No one has seen our faces.’ The first time you saw them on screen, when they threw Molotov cocktails at the generator, I don’t think I was officially on Raw. I saw it as an opportunity because I was in this meandering middle ground where it was, they don’t know how to use me. They have no plan for me.
“I see this faction. I have friends who I like who are talented and in a similar boat, I’m just going to go for it. ‘I don’t think you have a plan, let me give you a plan.’ It kind of started to work. I don’t think they considered anyone or had a plan. It was literally writers, extras, and nonsense. We’re doing the masks. It’s getting better. It’s not great, but it’s getting better and trending in a good direction. We’re pitching stuff like crazy. I think I pitched the names being big and capitalized. DIJAK. DIO. THORNE. We wear these entrance masks because the company has betrayed us. We all had these reasons and motivation. Then, one day, like a big hammer, boom, ‘Here’s your masks.’ ‘Entrance masks?’ ‘No, you wear them all the time.’ ‘Oh s**t. Maybe we can make that work.’
“‘Your name is T-BAR. Your name is SLAPJACK. Your name is MACE.’ ‘Oh f**k.’ In the back of our heads, we’re like, ‘at least it’s us.’ At this point, we don’t have main roster contracts. This is a point where Vince can go, ’F**k ‘em, fire him.’ That happened all the time. Our jobs are on the line. At least it’s being pushed. At least our faces are out now so they can’t just replace us. Even though we know it’s all bad, at least we’re here and we’re going to get pushed. If you push us, it will get over. You can do the silly s**t in the world, but if it gets pushed and you throw a bunch of championships on it, people are like, ‘That’s cool and awesome.’ Obvously, that didn’t happen.